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Follow the jdi dating ltd for more information. The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos.

The marble was quarried from Mount Pentelicus and transported 19 km to the acropolis of Athens. A persistent question has been whether it was carved in situ. The system of numbering the frieze blocks dates back to Adolf Michaelis’s 1871 work Der Parthenon, and since then Ian Jenkins has revised this scheme in the light of recent discoveries. The narrative of the frieze begins at the southwest corner where the procession appears to divide into two separate files. The first third of the west frieze is not part of the procession, but instead, seems to be the preparatory stages for the participants. By N42 and S89 the equestrian parade is at an end, and the following 16 figures on the north and 18 on the south are taken to be the elders of Athens judging by their braided hair, an attribute of distinguished age in Classical art. The Parthenon frieze is the defining monument of the High Classical style of Attic sculpture.

W9 and W4, who partially anticipate the Doryphoros of Polykleitos. As no description of the frieze survives from antiquity and many religious rituals involved secret symbolism and traditions left unspoken, so the question of the meaning of the sculpture has been a persistent and unresolved one. Procession of tributes from the Apadana, Persepolis, first half of the fifth century. The contention that the scene depicts the festival for Athena is fraught with problems. The pediments, metopes, and shield of the Parthenos all illustrate the mythological past and as the deities are observing on the east frieze, it is natural to reach for a mythological explanation.